Trees in Moonlight was created from the sensation of an incomprehensible force enveloping my world. No matter how objectively one inspects spiritual philosophy, the engagement is bound to alter one’s understanding of reality. My initial inquiries often revolve around the nature of time and how the perception of the sacred migrates through different eras.

The drawing reflects on what exists above, below, and in between, not as a literal visual but once again referring to the microcosm and macrocosm of Tantra. It has three sections: a dark blue circle with a magenta highlight, inspired by the radiance of a full moon, symbolising a powerful cosmic existence; a textured atmosphere, marked by lines that warp under that cosmic influence; and a desolate ground with three barren trees, echoing forgotten pasts.

The texture created by repeating lines shows that even the slightest deviation from a precise path creates significant ripples over time, mirroring the collective impact of each human life on our understanding of reality today.